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Image Matrix Tech on Sky News: Big Moment for Cultivated Meat Tech



In Sunday’s segment on Sky News Australia (Weekend Edition with Tim Gilbert) we covered the landmark final approval for lab-grown cultivated meat to go on sale in the United States.

UPSIDE Foods and Good Meat announced they have been granted final approval from the US Department of Agriculture to sell cultivated meat. Singapore is already selling clean meat but due to the sheer size of the United States meat market, this is massive news.

The announcements have been celebrated by companies in Australia. Here’s a local response from Magic Valley CEO, Paul Bevan. Magic Valley made their own breakthrough cultivated lamb meat prototype last year. 

“We are thrilled by the ground-breaking news that cultivated meat has finally received approval for sale in the United States. The approvals granted to UPSIDE Foods and Good Meat mark a monumental milestone, not only for the companies involved but for the entire cultivated meat industry and the future of sustainable and ethical food production globally.

Upside Foods’ facility is next level high tech and incredibly clean. A hallmark of the Cultivated Meat industry.

“This long-awaited decision by both the FDA and USDA not only recognises the immense potential of cultivated meat to address the pressing global challenges we face today, but also the years of dedication and persistence of the many committed visionaries, entrepreneurs and scientists who have worked to develop this transformative technology. 
“We extend our sincerest congratulations to UPSIDE Foods and Good Meat on their huge achievement and eagerly anticipate the positive impact their products will have in shaping a more sustainable and ethical food industry.

Lab made chicken tastes like the real thing.

“We hope that the approval of cultivated meat in one of the world’s largest consumer markets serves as a catalyst for the global adoption of this revolutionary technology – technology that offers a pathway to reduce the environmental footprint of the food industry, mitigate the impact of climate change, and alleviate the strain on global resources.

“This milestone will pave the way for further progress and innovation, driving investments and partnerships that will accelerate the development and commercialisation of cultivated meat products worldwide.”

Here’s a great explainer video from Magic Valley.


Google’s long awaited new Android tablet is finally here. It’s main role is a home hub but it’s also a powerful tablet on the go. In this segment we look at the similarities with the Nest Hub Max, Google’s impressive digital assistant display. But unlike the Nest product, the Pixel Tablet can be detached from speaker dock magnetically.

Google Pixel Tablet
  • Powered by Google Tensor G2 chip, the Tablet enables fast and smooth streaming, high-quality video calls, accurate voice typing and more
  • Keeping your tablet charged 24/7, the Charging Speaking Dock doubles as a great-sounding speaker for room-filling music
  • Created for entertainment, the 11-inch screen is ideal for streaming your favourite shows, and is the first tablet with built-in Chromecast 
  • Connecting seamlessly with Pixel phones, earbuds and watches, the Pixel Tablet offers a a world of help, built around you 
Google Pixel Tablet comes with a speaker dock in the box

The Pixel Tablet is now available at the Google Store, JB-HiFi and Telstra. Prices start from $899 (128 GB) or $999 (256GB), which includes the bundled Charging Speaker Dock.

You can buy extra docks for placement around the home.  


Laser Portable Party Speaker with LED Stand

Portable party speakers are great .. but they can be heavy and awkward to carry around. So Laser’s solution is a bluetooth speaker in the form of a backpack. It comes with straps, a stand and plenty of RGB lights. It looks like a mobile, old school, equaliser. Even the stand has lights.

It does a lot more and you can get one here.


Another party speaker by Laser also comes with RGB lights and LED messaging panel. The customised message screen can display any text you want. It also has Dual Wireless Microphones – for good or bad duets.

You can get one here.


The new Fujifilm X-S20 is mirrorless camera that comes with a vlogging selection on the top dial. This unlocks special settings and features to simplify the process of doing a video blog or vlogging. 

When paired with an XF8mmF3.5 R WR lens, this small camera packs a mighty punch.

Key points:

  • NEW 6.2K/30p, 4K/60p,1080/240p video and 4:2:2 10bit internal recording
  • Vlogging made easy with our dedicated vlogging mode with easy-to-use features  
  • Compact body with greater battery life offering an estimate of 730 frames battery life – more than double the battery life vs X-S10
  • NEW optional external cooling fan for extended video recording in high res
  • Wider range of tracking modes – now including our subject detection modes and NEW product priority mode
  • The XF8mmF3.5 R WR is an ultra-wide angle (UWA) prime lens with the focal length of 8mm (equivalent to 12mm in the 35mm film format). 

I’ve seen it priced A$2,288 for the body only.

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First Impressions: The Return of Beats Pill



The first new Beats Pill in around a decade looks to be a hit. The lightweight portable bluetooth speaker has been completely overhauled for the better. Here are my initial impressions – which I also shared on Sky News Weekend Edition with Tim Gilbert.


First. It’s good to see the Pill return.

The original device first appeared back in 2012 with the upgraded Beats Pill+ released under Apple’s ownership in 2015.

Now we have the 2024 version simply called – Beats Pills.

It’s a streamlined device that features a 20-degree upward tilt for better sound projection. It also has re-engineered racetrack woofer with stronger magnets helps drive 28% more motor force and displaces 90% more air volume.

The redesigned tweeter really does deliver crisp highs and satisfying mid-range tones. Although a mono speaker, if you get a second model you can combine them as a stereo pair.

The new Beats Pill is IP67 dust and water resistant so you can take a quick plunge without worry.

You’ll get up to 24 hours of battery life per charge and two hours of music playback from a 10-minute charge. The USB-C port at the back is for charging and quality audio.

It works with iOS and Android phones but the experiences are slightly different. You can take calls and activate your voice assistant plus add it to Find My apps.


Available now for A$249.95 in Red, Black and Gold.

In-depth review soon.

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Sonos Ace Headphones: First Impressions



I’m currently testing a pair of Sonos Ace headphones and I’ll have an in-depth review video for you next week. In the meantime, I can tell you that my first impressions of the Sonos Ace were very positive.

As I explained to Tim Gilbert on Sky News Australia Weekend Edition in the above video, “they are incredibly comfortable” and “the most comfortable headphones, over the ear, I’ve ever used.” I don’t expect that to change when review embargoes lift next week.

I don’t claim this lightly as there are many headphones out there but Sonos has done a fantastic job in getting the look and feel right. Let’s face it, there’s not much point in having great sounding headphones if they don’t feel comfortable. This very aspect has been the deal breaker for many otherwise excellent headsets.

Sonos Ace uses lightweight materials for a ‘pillowy soft’ memory foam interior wrapped in vegan leather. A custom headband and ear cups hide the hinge without catching on hair. 

The Sonos Ace headphones are the most requested product in the company’s history. Now they are here. The over-the-ear Bluetooth headphones (not WI-FI) feature lossless and spatial audio, Active Noise Cancellation (ANC) and Aware Mode.

All this for for A$699 from 5 June 2024.


  • Custom 40 mm dynamic drivers produce each frequency with impeccable precision and accuracy.
  • Beamforming microphones enable noise cancellation and target your voice for crystal clear calls.
  • The ported acoustic architecture enhances the bass response of each driver for greater depth.
  • Lightweight memory-foam-lined headband features stainless steel arms that extend for a bespoke fit.
  • Concealed hinges inside the ear cups create the perfect acoustic seal without catching on hair.
  • Ear cushions are wrapped in a vegan leather that is designed for softness and durability.

But wait, there’s more. Sonos’ new TrueCinema technology allows you to take in a surround sound home theatre experience without household background noise interrupting. You can swap the TV audio from a compatible Sonos soundbar to Sonos Ace by tapping a button on the app. Spatial audio with Dolby Atmos and dynamic head tracking keeps you centred in the action. This experience will improve later this year when TrueCinema technology precisely maps your room then renders a complete surround sound output that will make you forget you’re wearing the Ace. This is pretty wild but at launch Sonos told me it will only work with one pair of Sonos Ace headphones. .

Sonos says you can listen or talk for up to 30 hours before needing a recharge. If you do need quick power hit, you’ll get 3 hours of battery life with from a 3 minute recharge using the included USB-C cable. 

So the first impressions are good, we’ll know more next week.

If you can’t wait, you can preorder from Sonos right now.

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The Last Beatles Song is thanks to Good AI



Peter Jackson is a gift to humanity.

Not only did he direct the greatest trilogy of all time ‘The Lord of the Rings‘ Jackson masterfully documented WWI in ‘They Shall Not Grow Old ‘ and The Beatles docuseries ‘Get Back‘ he’s also done the impossible; a new, original, Beatles music video.

Watch the music video here

The John Lennon song “Now and Then” – released last week by The Beatles – was made possible thanks to AI. Or more accurately, Machine Learning, which comes under the banner of Artificial Intelligence.

Peter Jackson’s team had developed a system to untangle voice and instruments into separate tracks when working on ‘Get Back’.

They were able to apply this technology to Lennon’s 1970s home recording of ‘Now and Then’ which had piano and voice mixed together on tape. And that recording was rough. It not only had Lennon’s voice meshed in with his piano playing, it had a horrible hum.

And as I told Tim Gilbert on Sky News Weekend Edition, this is not an AI recreation of Lennon’s voice. It is a cleaning up of the track to isolate Lennon’s real voice. Effectively saving it.

“There it was, John’s voice, crystal clear,” said Paul McCartney.

“It’s quite emotional. And we all play on it, it’s a genuine Beatles recording. In 2023 to still be working on Beatles music, and about to release a new song the public haven’t heard, I think it’s an exciting thing.”

The Beatles actually tried this in 1995 but did not have the technology to make it work.

“Back in 1995, after several days in the studio working on the track, George (Harrison) felt the technical issues with the demo were insurmountable and concluded that it was not possible to finish the track to a high enough standard,” said Olivia Harrison, George Harrison’s wife.

“If he were here today, Dhani (their son) and I know he would have whole-heartedly joined Paul and Ringo in completing the recording of ‘Now And Then.’”

Sadly, George Harrison died in 2001 but his guitar playing is on the track after laying it down in 1995.

“It was incredibly touching to hear them working together after all the years that Dad had been gone,” said Sean Ono Lennon, John Lennon’s son.

“It’s the last song my dad, Paul, George and Ringo got to make together. It’s like a time capsule and all feels very meant to be.”

It was Yoko Ono who passed John Lennon’s unfinished recordings onto The Beatles. It set in motion a decades-long journey to the final song from the Fab Four.

And that’s where Peter Jackson’s team came in.

“It was the closest we’ll ever come to having him (John Lennon) back in the room, so it was very emotional for all of us. It was like John was there, you know. It’s far out,” said Ringo Starr.

In the end, the extraction of Lennon’s voice from the original recording was the straight forward part. The technology was in place since ‘Get Back’ so it was a similar execution of the process used in that series.

But there was plenty of work to do on the song itself. New lines were written and sung, instruments laid down, strings added, backing vocals too.

Watch the behind-the-scenes FILM here

As accomplished and admired as Peter Jackson is, the director was overwhelmed by the request to produce the music video of ‘Now and Then’.

“To be honest, just thinking about the responsibility of having to make a music video worthy of the last song The Beatles will ever release produced a collection of anxieties almost too overwhelming to deal with,” said Jackson.

“My lifelong love of The Beatles collided into a wall of sheer terror at the thought of letting everyone down. This created intense insecurity in me because I’d never made a music video before, and was not able to imagine how I could even begin to create one for a band that broke up over 50 years ago, had never actually performed the song, and had half of its members no longer with us.”

But Jackson stepped up and delivered. As he pretty much always does.


Crucially, all four Beatles are on the song. The final song. So thank you Peter Jackson and AI. You’ve made millions of Beatles fans very happy.

“Now And Then” Credits:

  • Produced by Paul McCartney, Giles Martin
    Additional Production: Jeff Lynne
    Vocals: John Lennon, Paul McCartney
    Backing Vocals: John Lennon, Paul McCartney, George Harrison, Ringo Starr
    Guitars: George Harrison
    Guitars, Bass, Piano, Electric Harpsichord, Shaker: Paul McCartney
    Drums, Tambourine, Shaker: Ringo Starr
  • Additional Credits:
    String Arrangement: Paul McCartney, Giles Martin, Ben Foster
    Mixed by Spike Stent
    Engineered by Geoff Emerick, Steve Orchard, Greg McAllister, Jon Jacobs, Steve Genewick, Bruce Sugar, Keith Smith
    Source Separation / MAL Courtesy of WingNut Films Productions Ltd.
    Head of Machine Learning: Emile de la Rey
    Project Management: Adam Sharp
  • Recorded at Hog Hill Studio, Capitol Studios and Roccabella West
    Mastered by Miles Showell
  • Project Producers: Jonathan Clyde and Guy Hayden
    Executive Producer: Jeff Jones


  • Video Director: Peter Jackson
  • Video Producers: Peter Jackson, Clare Olssen, Jonathan Clyde
  • Audio Producers: Paul McCartney and Giles Martin
  • Production Company: WingNut Films Productions Ltd
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